★★★★★
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★★★★
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Following its sold out run at the Kiln Theatre, Ryan Calais Cameron‘s ’electrifying‘ (Evening Standard) RETROGRADE comes to the Apollo Theatre for a strictly limited run.
Inspired by real events, this ‘exceptional‘ (The Guardian) play directed by the Kiln Theatre’s Artistic Director Amit Sharma, features Ivanno Jeremiah (Constellations) reprising his ‘tremendous‘ (Time Out) performance as Sidney Poitier, opposite Stanley Townsend (Netflix’s Kaos) and Oliver Johnstone (Antigone).
RETROGRADE follows Ryan‘s smash hit ‘modern masterpiece‘ (The Sunday Times) For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy – so good it sold out twice – cementing his place as ‘one of theatre’s most thrilling voices‘ (Independent).
Book your RETROGRADE theatre tickets with LOVEtheatre today!
Ten years before he becomes the first Black man to win the Oscar for Best Actor, this gripping drama captures the moment a young Sidney Poitier prepares to sign a career-defining Hollywood contract that could make him a star. But there’s a catch. Will he put his career before his principles? In a time of betrayals, will he name names? Will he sign his life away?
Tickets available for performances from 8 Mar – 14 Jun 2025
90mins, no interval.
Ryan Calais Cameron (Writer), Amit Sharma (Director)
Ivanno Jeremiah (Sidney Poitier), Stanley Townsend, Oliver Johnstone
Age Guidance: 14+
'‘A deserved West End triumph for one of Britain’s greatest playwrights’'
'‘an electrifying, razor-sharp piece.’'
'‘An instant classic’'
'‘A wickedly funny 90 minutes’'
'‘Gripping, inspiring and funny’'
'‘The three actors are magnificent, and I couldn’t recommend it strongly enough’ ‘Very moving and brilliantly acted. Go and see it’'
''Blown away by the cast & crew of this powerful spectacular production, paying homage to the greatest of all time #sidneypoitier. It physically shook me...''
'‘Thoroughly merited arrival of Retrograde on Shaftesbury Ave. A must-see even stronger this time round’'
'‘Acting masterclass first off. All 3 carried. Scripting was knife-edge! Had the audience ad-libbing out of sheer passion. I do love the bells and whistles of big productions – but this was fantastic without all of that!''
